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• Current Issue
  • Editorial Note Vol. 4 No.1
  • Academic Section
    • Bita Shakoori: Exoplanetary Pastoralism
    • Kristina Matthias: Screening Memories for the Present
    • Philipp Kemeter: Narrating Empathy
    • Charlie Geitlinger: Haunting Presences
    • Meret Röver: Who’s Afraid of Evolution?
  • Independent Studies Section
    • Introduction: Poetry Workshop
    • Wonderland
    • A letter shaped like a half moon
    • Poetry in the Eye
    • Then and Now
    • Rejected
    • Underweartaker
    • Thirteen Ways of Looking at a Dog
    • Anxiety/Love
  • Open Section
    • Open Section: HannoCollage
    • The City of Hannover, in Color
    • On Graffiti: An Interview
    • Ihme-Zentrum: A City Within Walls, Stories on Concrete
    • Layers of History: Interview with Dr. Edel Sheridan-Quantz about the Ballhofplatz
    • Symbiosis: Eilenriede City Forest
• Previous Issues
  • Vol. 3, No. 1
    • Editorial Note Vol. 3 No.1
    • Academic Section
      • Anne I. Bertram: The Spatial Rhetorics of the American Home
      • Harishnavi Sriskanthan: Ghostliness and the Remnants of Slavery
      • No Words: The Visual Rhetorics of Mosaic and Antienvironment in Steve Lawrence’s Avant-Garde Periodical Newspaper (1968-1971)
      • Julian Wichert: Reading Film Trailers as Serial Texts
      • Laura Landgraf: The Fluid Definition of Fear
      • In Focus
        • Adam Hollstein: Upholding Conflict Spaces, Creating Contact Zones
        • Jacob Edmund Hovde: The Curse of Good Intentions
        • Kieu Jenny Vi: Cooking Up Change
    • Independent Studies Section
      • Introduction: Videographic Criticism
      • Evelyn Johnson: The Day After Tomorrow
      • Tina Pahnke: I Think You Should Think Less
      • Independent Studies: Making a Podcast
      • The But Did You Know About...? Podcast: Introduction
      • But Did You Know About...?: Episode 1, “Calypso Rose”
      • The Climate Chronicles Podcast: Introduction
      • The Climate Chronicles Podcast: Episode 1
    • Open Section
      • Open Section: Critical Pedagogy Manifestos
      • Decry Mastery: A Timid Manifesto for Practicing Depth Education
      • A Native American Pedagogical Approach to Improving German Teacher Training
      • Teaching Hope
      • Contemplating Education
      • Untitled
      • The Student Is Not Just a Victim
      • Open Section: AI Poetry
      • Prompt 1: Apology
      • Prompt 2: Boredom
      • Prompt 3: Childhood Memory
      • Prompt 4: Forgotten Object
      • Prompt 5: Fruits
      • Prompt 6: Landscape
      • Prompt 7: Mirror
      • Prompt 8: Spirituality
      • Prompt 9: Technology
      • Poets of Flesh, Poets of Data, and Where to Go from Here: A Critical Reflection
  • Vol. 2, No. 1
    • Editorial Note Vol. 2 No.1
    • Academic Section
      • Niklas Zabe: Making MTV the Disco
      • Elisabeth Kashulskaya: Real Women Are Too Real
      • Leonie Amann: Unveiling the Unseen Realities
      • Claudia Alea Parrondo: Hyperobjects and Affect Theory
      • Alissa Lienhard: “I’ll Call it Platonic Magic”
    • Independent Studies Section
      • Introduction: Poetry Workshop
      • Shiraz is in the heart / trilingual
      • the bare minimum
      • Words, Inherited I / Words, Inherited II
      • The Quilt / 13 ways of looking at an Altoids tin
      • Bathroom Prayers
      • Pleasure in Pain
      • On the Bar
      • Introduction: Videographic Criticism
      • Representing the Unrepresentable: Trauma in Rocketman
      • Trauma Unleashed
      • Traumatic Grief
      • A Reading in the Machine
      • Benh Zeitlin Breaks the Ice
    • Open Section
      • Conference Report
      • Interview with the Organizers
      • Interview with Anne Potjans
  • Vol. 1, No. 2
    • Editorial Note Vol. 1 No.2
    • Academic Section
      • Lukas Fender: Indian Residential Schools and the Internet
      • Carolin Wachsmann: A Postcolonial Reading of the Marriage Plot in Jane Austen’s Persuasion
      • Christine Poljanskij: Exploring Gender in Stephenie Meyer’s Twilight (2005)
    • Independent Studies Section
      • Introduction: Videographic Criticism
      • Bringing Across Emotions in Harry Potter and the Prisoner of Azkaban
      • The Martian and the Colonial Frame of Mind
      • Blade Runner 2049 as Slow Science Fiction
      • The Male Gaze: A Look at Scarlett Johansson in The Island
      • The Parody of Austenland
      • Jane Austen in Film
      • Music as a Dialogue: A Video Essay
      • Introduction: Book Reviews
      • Book Review Bewilderment by Richard Powers
      • Book Review No One Is Talking About This by Patricia Lockwood – Tragedy in the Time of Social Media
    • Open Section
      • Open Section (issue 2)
  • Vol. 1, No. 1
    • Editorial Note Vol. 1 No. 1
    • Academic Section
      • Marielle Tomasic: Something Moves
      • Nathalie Rennhack: Making Gender Trouble
      • Theresa Maria Forche: Thinking Alternatives in Science Fiction
      • Celina Plaß: Feminist Retelling of a Greek Myth
      • Setareh Ghasemireza: Radicalism of Nonviolence
    • Independent Studies Section
      • Introduction: Autofiction
      • Lady Bird and Firebird
      • In Theory
      • The Story Untold
      • Love, Power & Academia: Event Report
      • Interview with Porn Scholar Madita Oeming
    • Open Section
      • Introduction: Open Section
      • An Autotheoretical Approach to Trauma and Love
      • The Game
      • Big Bright Eyes
      • The Photographic Construction of Kissing
      • you / note to myself
      • Another Attempt: The Chemistry between Love and Joy
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